History and Development Processes of Gijjak Instrument
Keywords:
music, culture, work, art, history, analysis, instrument
Abstract
In this article, the origin of the word gijjak, the history of this musical instrument, the two-stringed gijjak in the work of Abu Nasr Farabi, the three-stringed one in Zakhiriddin Muhammad Babur’s “Baburnoma” and the role of the gijjak in creating national music. Complete information is provided.
References
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2. O. R. Topildiev - Theoretical & Applied Science, 2019 e library. ru. FORMATION OF TOLERANCE IN THE YOUTH. 267-270 pages
3. ABDURAUF, A., FERUZA, M., & AMIRBEK, A. (2020). The Formation of Museums and Innovative Achievements in Uzbekistan. JournalNX, 6 (05), 14-16.
4. Topildiev Odiljon Rakhimjonovich, Mirkhakimova Feruza Kholdorjon kizi. REFORM IN THE FIELD OF CULTURE AND ART IN THE REPUBLIC OF UZBEKISTAN. Web of scientist: International scientific research journal. ISSN: 2776-0979, Volume 3, Issue 5, May., 2022.196-198 pp.
5. Mirhakimova, F. K. (2021). The state museum of history and culture of Namangan region past and today. Asian Journal of Multidimensional Research, 10(8), 84-89.
6. Mirhakimova, F., & Aliyeva, N. (2020). ARCHITECTURE OF THE ISMAILI SAMANID PERIOD. Интернаука, (18-3), 12-14.
7. Rajabov I. Positions. - Tashkent, 2006, pp. 63-64.
8. Yunusov R. About statuses. - T.: “Knowledge”, 1982. –P.25
9. Abdullaev I. Poetry in Arabic language in Sredney Azii and Khorasane X – Nachala XI c. T., “Science”, 1984. - P. 5–8.
Published
2022-09-20
How to Cite
Mirmuslimovich, M. M. (2022). History and Development Processes of Gijjak Instrument. CENTRAL ASIAN JOURNAL OF ARTS AND DESIGN, 3(9), 1-4. Retrieved from https://cajad.casjournal.org/index.php/CAJAD/article/view/171
Section
Articles
