The Art of Woodcarving in Fergana in the 19th–20th Centuries Household in Life Place

Abstract

This article provides a comprehensive analysis of the development and role of woodcarving in the Fergana Valley during the 19th and 20th centuries, emphasizing its function as both a practical and aesthetic component of daily household life. Based on historical-analytical and ethnographic research, the study examines carved architectural elements such as doors, windows, pillars, and ceiling decorations, alongside household items including chests, tables, and furniture. Special attention is given to the ornamental repertoire—geometric, floral, and symbolic motifs—which reflected the artistic taste, worldview, and social status of the people. The article also explores the contributions of prominent schools and masters, such as the Kokand school and the work of Usto Kadyrjan Haidarov, highlighting their influence on the preservation and enrichment of national decorative traditions. Comparative analysis with the craft heritage of Bukhara and Samarkand underscores the distinctive features of Fergana woodcarving. The study concludes that woodcarving in Fergana not only fulfilled functional needs but also served as a vital expression of cultural identity and spiritual values, thus forming an integral part of Uzbekistan’s intangible cultural heritage.